MISSION STATEMENT: Powerstories is a nonprofit professional theatre whose mission is to stage true stories of women and girls to open minds and hearts
and inspire action worldwide.

2025 VOICES OF WOMEN THEATRE FESTIVAL

Celebrating local and national women’s voices.

uꜱꜰ’ꜱ ᴘᴏʀᴛɪᴏɴ ᴏꜰ ᴛʜᴇ ꜰᴇꜱᴛɪᴠᴀʟ ɪꜱ ꜰᴜɴᴅᴇᴅ ᴇɴᴛɪʀᴇʟʏ ᴛʜʀᴏᴜɢʜ ᴛʜᴇ ᴅɪꜱʜᴍᴀɴ ꜰᴜɴᴅ ꜰᴏʀ ᴘʟᴀʏᴡʀɪᴛɪɴɢ. ɴᴏ ꜱᴛᴀᴛᴇ ꜰᴜɴᴅꜱ ꜰʀᴏᴍ ᴜꜱꜰ ᴀʀᴇ ꜱᴜᴘᴘᴏʀᴛɪɴɢ ᴛʜɪꜱ ᴘʀᴏᴊᴇᴄᴛ.

DIGITAL PLAYBILLS

Production Creative Team

Nicolas Raffenaud – Production Stage Manager
Jenny Kokai – Festival Dramaturg
Harley Jones – Assistant Festival Dramaturg

March 27 – 7:30 PM

Live In-Theatre

Erin K. Considine

GEORGIA

Growth

PLAYWRIGHTS OVER 40 CATEGORY

Growth is a fairytale, an exploration of disability and caregiving as viewed through the lens of one enchanted event. Kazi is the steadfast, fully-employed caregiver to Amaris, a former dancer who is slowly losing pieces of herself to a degenerative muscle disease. Together, they struggle to navigate their relationship while they navigate the American Healthcare System. Magic, dance, and poetry intertwine as the two women fight to maintain a hold on humanity and love.

Playwright
Erin K. Considine is an emerging Playwright from the Atlanta Area. Erin was named a Finalist for the 2019 and 2021 Eugene O’Neill National Playwrights Conference, a Semi-Finalist for the 2020 BAPF and the 2020 PlayPenn Conferences, and she was the Winner of the 2020 Tennessee Williams Festival One Act Play Competition and the 2021 Essential Theatre Play Festival. In the fall of 2020, she was the first Carey Perloff Fellow as part of the Eugene O’Neill Foundation, and she is a proud member of Working Title Playwrights, the Playwrights Center, and the Dramatists Guild. After treading the boards for over twenty years, Erin is overwhelmed and grateful for the opportunity to create stories that other artists bring to life.

SETTING
The back garden of Amaris & Kazi’s home

CREATIVE TEAM

Katie Calahan – Director
Katie’s most recent directing credits include Fly Away Home by: Gwendolyn Rice at LAB, She Kills Monsters by Qui Nguyen for Think Tank, David Mamet’s Revenge of the Space Pandas for the Off-Central, and The Abbey of the Holy Lonesome for LAB Theater Project. Katie is the program director for Big Break Youth Stage at The Off-Central directing many of their youth and teen productions, most recently Legally Blonde. She received her conservatory training and BFA from Boston University.
Chloe Corwin – Stage Manager

CAST

Newt Pantalones – Moon
Chloe Corwin – Amaris
Alexa Perez  – Kazi
Alexa Perez, a director and actor local to St. Petersburg, holds a Bachelor of Arts in Performing Arts from the University of Tampa. Alexa is a graduate of the Emerging Arts Leader Fellowship at American Stage and is currently an Artist in Residence at The Studio@620. When she’s not in a rehearsal room, she works as the Acting Coach for Pinellas County Center for the Arts at Gibbs High School. Past acting credits include No Exit (The Off Central Players), Romeo & Juliet in America (American Stage), and Love, Loss, and What I Wore (Early Bird Dinner Theatre).

DIRECTOR’S NOTES
Believe in magic, know it has a cost. Love fiercely, especially yourself.

Friday, March 28 – 7:30 PM

Live In-Theatre

Dawn Truax

FLORIDA

Dancing Egrets

A young man is poise to commit suicide, but an annoying bird watcher won’t leave him alone. Sometimes it just takes one person to notice, to care and that makes all the difference.

Playwright
Dawn Truax has written and performed Strange Girls for the Tampa International Fringe Festival and is currently working on a one-woman show about the sister of John Wilkes Booth.

SETTING
Fort DeSoto Beach Florida at low tide. Just after dawn.

CREATIVE TEAM

Karla Hartley – Director

Karla Hartley is currently the President and Producing Artistic Director for Stageworks Theatre in the Channel District. She received a BFA in Theater Studies from Boston University in 1992 and is the owner of five Theatre Tampa Bay awards for Best Director.

Directing credits include: Greetings, Ladies at the Alamo (Boston) , The Seahorse, Christmas With Elvis, Girl Detective, Hats! The Musical (Florida tour), Boston Marriage, The Rocky Horror Show (2008 and 2012), Waistwatchers, the world premiere of Party Animals by Kathie Lee Gifford and David Friedman, Respect, Little Dog Laughed, And Baby Makes Seven, Holiday Party of One, Sylvia, Company, Seven Homeless Mammoths Wander New England, The Wiz, A Few Good Men, The Sugarbean Sisters, God of Carnage, Moon Over Buffalo, Antigone, the international tour of Listen To My Heart, In The Heights and Red at American Stage, The Motherf**ker With the Hat, Lights Rise On Grace, This Wonderful Life, Psycho Beach Party, Broadway Bound, Beehive, The Elaborate Entrance of Chad Deity, 8 Track, The Year of Magical Thinking, The Marvelous Wonderettes, As Bees in Honey Drown, In The Time of the Butterflies, Judgment at Nurenberg, The Revolutionists, The Immigrant (New York), Fun Home, Ordinary Days, Evil Dead the Musical, First Date the Musical, The Diary of Anne Frank and The Great American Trailer Park Musical. She is also an Adjunct Professor in the Theatre Department at the University of Tampa.

CAST

Will Rickard – Man
Will Rickard is a Tampa native and is excited to be back performing at USF! Their favorite credits include Frankenstein, and Tecumseh! with The Scioto Society, Orlando with the University of South Florida, and The Little Mermaid with New Tampa Players. When they’re not on stage they can be found bartending at Lowry Parcade. They would like to thank their fiance Newt for his unyielding support in their pursuit of a career in the arts, and Bridget Bean for her guidance as an acting coach.

Dawn Truax- Woman
Dawn has performed throughout the Tampa Bay area including Stageworks’ Angles in America, Medea, The Laramie Project, Talking with, The Trip to Bountiful, Kindertransport, Superior Donuts, Circle Mirror Tranformation and 10 % of Marta Solano. She has also performed in freeFall’s Midsummer’s Night Dream, Studio@620’s Grace, Hattrick’s Sister Mary Ignatius Explains it all to you, and Center Theatre Company’s The Crucible, has written and performed in Strange Girls for Tampa Fringe and is currently working on a one woman show, Genius, Madness and Murder, about the sister of John Wilkes Booth. She is also the director of Stageworks Education Outreach.

DIRECTOR’S NOTES

The ten-minute play is becoming a lost art. Finding a sense of place, a moment in time, is necessary for the human condition. Roles for a woman of a certain age are becoming increasingly difficult to find. This play supports both of these important realities.

Friday, March 28 – 7:30 PM

Live In-Theatre

Vette Berrian

FLORIDA

Please Don’t Touch My Hair

When a black girl moves to the town of Steel, her hair becomes the subject of conversation amongst three classmates at school. These conversations become action and pandemonium ensues.

Playwright
VeBer is a veteran of the US Army and a retired AF spouse. At the age of five, she started writing poems. By 10, she was writing songs and short stories. She wrote her first play in college. In college, she wrote the relationship column Say, It Again Girlfriend. In 2003, she became a published author. Today, the goal is to complete her mainstage play Walk A Mile In Her Stilettos.

SETTING
Middle School Campus during lunch break outside

CREATIVE TEAM

Vette Berrian – Director
Vette Berrian, Army veteran, retired military spouse, mother, life coach, singer, actress, published author and now playwright is thrilled to be a part of this women’s voices festival. Thank you to my family, friends, supporters of the arts and Powerstories.

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CAST

Isla Dunham – Belle
Isla is a homeschooled student who is no stranger to the stage. She has been in many community theater plays, as well as plays with her homeschool groups. She is currently cast in Newsies and Ax of Murder, with show dates next month. But Isla’s main love is dance and she has performed on the stages of The Straz, The Mahaffey and The Sarasota Opera House. She hopes you enjoy the show.
– Collette Raymond – Amber
Collette Raymond has been passionate about the performing arts from a young age, growing up singing, dancing, and participating in local theater productions. Most recently, she appeared in RENT with the Valrico Village Players, where she worked alongside her talented cast mate (now director) Vette Berrian. She is thrilled to be part of an all-female festival and looks forward to sharing her love of performance with audience.

Madi Stanley – Moira
Madi, is a triple threat that has been on stage since she was nine. Last seen in the ensemble of the Village Player’s production of RENT. She is excited about being in the Voices of Women Festival. Appreciation and thanks go out to her mom,  former teachers, and those who supported her along her acting journey.

DeBreanna Petithomme – Celestrial
My name is DeBreanna, and I am a proud mother of three and a breast cancer survivor. From a young age, I have always had a passion for being on stage, whether it was performing in school plays or participating in local talent shows. The thrill of being in the spotlight has always brought me joy and confidence.

The last four years have been some of the toughest in my life. Battling breast cancer has tested my strength in ways I never imagined. I faced numerous challenges, but I fought hard, determined not to let this disease define me. Alongside my battle, I experienced the heart-wrenching loss of my mother, who was my biggest supporter. The pain of losing her was compounded by the betrayal of friends I once trusted, leaving me feeling isolated at times.

Despite these hardships, I have learned the power of resilience. I choose to smile every day, not just for myself but for my children. They inspire me to keep going, to show them that even in the darkest times, there is light. My journey has shaped me into the person I am today, and I am committed to living life fully, celebrating every moment, and inspiring others with my story.

Vette Berrian – Student Voice

Friday, March 28 – 7:30 PM

Live In-Theatre

Karen Campion

FLORIDA

Post It

A doctor questions the relationship between women of similar age in a family-only hospital waiting room and is taught the true definition of family.

Playwright
Karen Campion uses drama along with a splash of humor to examine dynamics in relationships, families, trauma, tragedy, triumph, and all things everyday life in hopes of creating a more compassionate, connected, and caring world. She has written two fiction novels, four award-winning TV Drama Pilot scripts, and five festival finalist stage plays, three of which have been produced, and is a member of the Dramatist Guild. Karen started her career in radio before moving into media promotions, conceptualizing and executing promotions for Cirque du Soleil North American Touring Shows. Karen currently spends her time writing and with her family in South Florida.

SETTING
Modern-day hospital waiting room

CREATIVE TEAM

Kennedy Engasser – Director
Kennedy Engasser is a 20 year old poet, playwright, and actress in Tampa where she is studying theater arts at USF. This past year, she has worked on many creative projects, including portraying Diz in USF production’s of Enemy/Flint, as well as coaching a youth slam poetry team with local Youth Poetry Organization Heardemsay.

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CAST

Victoria Flounders – Nica Stone
Victoria Flounders is excited to return to The Voices of Women festival this year. A proud mother of three from Sarasota, she is in her final semester at USF, earning her degree in theatre performance. Passionate about storytelling, she is especially drawn to roles that explore the depth and complexity of women’s experiences on stage. Some of her recent credits include Ernesto Roma in The Resistible Rise of Arturo Ui, Dr. Watson in Miss Holmes, and Ariel in We All Fall Down.

William Ashburn – Dr. Peter Petersen
William Ashburn has been performing in the Tampa Bay area for the last five years after having taken a hiatus from acting pre pandemic. He has an associate degree from State College of Florida and is continuing his education in the theatrical arts at USF. Recent credits include The Resistible Rise of Arturo Ui, Enemy/Flint, Miss Holmes, The Shadowbox, and Peter/Wendy.

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Amanda Holliday – Marlowe Moss
Amanda Holliday is making her stage debut in this production of Post It. She has worked extensively behind the scenes as a stage manager on multiple productions and leads the theatre department at her school, overseeing all aspects of student performances. With a passion for theatre that combines technical precision and emotional storytelling, she is honored to bring Marlowe Moss to life in a play that explores resilience, chosen family, and human connection. Amanda would like to thank Kennedy Engasser for the opportunity and her support, as well as Tori and Will—I couldn’t ask for better scene partners. She is incredibly grateful for the encouragement of friends and family. After all, family isn’t just about blood—it’s about showing up. Enjoy the show!

DIRECTOR’S NOTES
It has been an honor to work with this dedicated cast, as well as with Karen Campion, to help her tell her story as she wrote it. This is the second year that I have had the privilege of working with Karen and I could not be more grateful.

Friday, March 28 & Saturday, March 29 – 7:30 PM

Live In-Theatre

Jenna Jane

FLORIDA

Villain

The Evil Queen tells her side of the story for the first time. Good guys and bad guys are all guys; for women, it’s never that simple.

Playwright
Jenna Jane is a Floridian playwright and performer. Her comedies and sci-fi dramas have been produced across the country. Jenna’s writing puts authenticity front and center, blows up gender expectations, and explores the relationship between the body and the self. Jenna graduated summa cum laude from Northwestern University’s Medill School of Journalism. She’s a national award-winning investigative journalist. Jenna is a member of the Dramatists Guild.

SETTING
A jail cell

CAST / CREATIVE TEAM

Jenna Jane – Villain
Jenna Jane is an internationally-produced playwright, performer, and voiceover professional. She is best known for her comedies and sci-fi for the stage. Jenna’s writing puts authenticity front and center, blows up gender expectations, and explores the relationship between the body and the self. A national award-winning investigative journalist, she graduated summa cum laude from Northwestern University’s Medill School of Journalism. Jenna is a member of the Dramatists Guild. @jennajanecreative

DIRECTOR’S NOTES

The Evil Queen tells her side of the story for the first time. Good guys and bad guys are all guys; for women, it’s never that simple.

Friday, March 28 & Saturday, March 29 – 7:30 PM

Live In-Theatre

Megan Phillips

FLORIDA

In the Grid

In the Grid is an exploration of purpose and isolation within a fruitful conversation. In this poetic exploration the audience hears from Plain and Simple, two characters with completely different takes on the world. Plain believes the world contains no purpose, while Simple argues that everything has to have purpose to even exist.

Playwright
Megan is thrilled to make her playwright debut in the Power Stories festival. Megan has been writing poetry since she was in high school and has recently taken a chance on playwriting. In her writing, you can find inspiration from her poems and the poetic writers she looks up to. She is very excited for audiences to witness her piece. This is a great way for her to end her last semester at USF.

SETTING
Black box theatre

CREATIVE TEAM

Megan Phillips – Director
Megan is a Tampa Bay-based actor and playwright. She recently has gotten into playwriting through a class at USF. She will be graduating this spring with her BA in theater performance. She is excited to make her playwriting debut. She would like to thank everyone who supports her.

Wren Wallis – Stage Direction / Stage Manager
Wren Wallis is a theatre design student at USF and is graduating Spring 2026. They focus on scenic design, painting, and costuming. They’re also interested in acting, but tend to stay behind the scenes.

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CAST

NO INFORMATION PROVIDED – Plain

Daaryl Wilson – Simple
Daaryl is excited to be in her first play for the Voices of Women Theatre Festival! She thanks her friends and family for their support! Past credits include – The Resistible Rise of Arturo Ui – USF.

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DIRECTOR’S NOTES
This is a piece based around poetry and discussion. I hope that this will invoke the audience with poetry and discussion.

Friday, March 28 & Saturday, March 29 – 7:30 PM

Live In-Theatre

Jennifer A. Kokai

FLORIDA

Cassie Had a Livejournal

Cassie and Natalie reunite for a meal after a long, painful estrangement. It’s been like 20 years since they were bffs documenting college drama, deep thoughts, and their dreams of the future on Livejournal.  There’s a lot to catch up on about their lives and the collapse of society. If they had known then what they knew now, would there have been any way to avoid this terrible dinner?

Playwright
Jennifer A. Kokai is a playwright who currently lives in Tampa, FL where she serves as the Director of the School of Theatre and Dance at the University of South Florida. Her plays have been produced, workshopped, or read by Riverside: The National Theatre of Parramatta, Plan-B, Montana Rep, THML Theatre, The Gallery Players, TheatreSynesthesia, Wasatch Theatre Company, Building Better People Productions, Bloomsburg Theatre Ensemble, Off-Key Anthem Collective, and a variety of educational institutions. She was included in the Lark Play Development Center’s 2014 Playwrights Week, and has been a semi-finalist with the O’Neill for both a play and a musical, Bay Area Playwrights’ Festival, B-Street Theatre New American Comedy Festival, and Seven Devils. Two of her plays are forthcoming in a volume from Vanderbilt University Press. She is a member of the Plan-B Theatre Company Playwrights Lab and the Dramatist’s Guild.

SETTING
Dinner

CREATIVE TEAM

NO INFORMATION PROVIDED – Director

CAST

NO INFORMATION PROVIDED – Cassie

Laura Fleming – Natalie
Laura Fleming (Natalie) is an actor, dancer, director, and scenic muralist who has worked with many productions over the past decade in the Tampa Bay area, both on and off stage. Some acting credits include Sebastian (Twelfth Night, St. Pete Shakespeare Festival), Mary Debenham (Murder on the Orient Express, Stageworks) Dr. Emma Brookner (The Normal Heart, CWP), Tessie Tura (Gypsy, Carrollwood Cultural Center), and Titania (A Midsummer Night’s Dream, CWP). She has directed Hotbed Hotel and Murder on the Nile, both at CWP. She is thrilled to be working with some of her favorite collaborators on this powerful new piece and cannot wait to share it with you.

DIRECTOR’S NOTES
NO INFORMATION PROVIDED

Saturday, March 29 – 7:30 PM

Live In-Theatre

Allison Fradkin

ILLINOIS

Checkerboard Chicks

It’s the 1960s, when one’s complexion could be cause for rejection, and the object of one’s affection could be cause for objection. Best friends Dina and Patrina, who make up one-half of America’s first interracial girl group, aren’t exactly thrilled about the tepid topics they’ll be trilling about: men, men, and men. But their true feelings are, well, unmentionable. Will they decide to hide like a 45 in a record sleeve, or will they refuse to let their love wither on the vinyl?

Playwright
Scriptly speaking, Allison Fradkin (she/her) creates satirically scintillating stories that (sur)pass the Bechdel Test and enlist their characters in a caricature of the idiocies and intricacies of insidious isms. Allison previously participated in the Voices of Women Theatre Festival in 2021. Elsewhere in Florida, her work has been presented by Delray Beach Playhouse, Theatre Arts Productions, Pineapple Playhouse, White Mouse Productions, and New City Players.

SETTING
Dina and Patrina’s bedroom, 1965 (one year after the passage of the Civil Rights Act of 1964, which required the termination of segregation)

CREATIVE TEAM

Veronica O’Reilly – Director
Veronica is thrilled to be a part of the Voices of Women festival alongside such talented actors. This is her first time directing while attending the University of South Florida and she hopes this piece tugs on your heart-strings just like it has hers. She wants to thank everyone who helped this show come to life, her family for the unyielding support, and her roommates for putting up with her Motown playlist throughout this production.

CAST

Serenity Irvin-Churchward – Dina
Serenity is very excited to be performing for the Voices of Women Festival and share her love for the arts. She hopes to inspire all of the audience members who see the show and hope they support local artists. She wants to thank her best friends and her family for all of their endless support.

Aurora Smalls – Patrina
This is Aurora Smalls first festival to be performing in. You may have seen her in USF Theatre’s recent production of Enemy/Flint portraying Petra. She is happy to be apart of this performance and excited to share her experience with an audience.

DIRECTOR’S NOTES
Thank you to the Powerstories staff for making this festival possible, as well as the amazing Allison Fradkin for writing this incredibly charming piece.

Saturday, March 29 – 7:30 PM

Live In-Theatre

Kandace James

PENNSYLVANIA

Little Black Kids Don’t Go Outside

A dark, thematic drama about a curious boy who has lived inside his house for most of his life decides to go against his mother’s demands and break her only rule: Little Black kids don’t go outside.

Playwright
Kandace James is a playwright who uses a poetic lens as a tool for telling magical, realistic stories centering Black, queer, and masculine-presenting women. At times, her plays feel like a eulogy. Other times, they feel like a baptism, a family reunion – but they always feel like coming home. Currently, she thinks a lot about her ancestry. Her plays are an altar for them. She was a national finalist for the John Cauble Award for Outstanding Short Play at the Kennedy Center American College Theater Festival Nationals (KCACTF). Her screenplay Stellar Collision received the $25,000 first-place award in the 2022 Alfred P. Sloan Script Competition at Carnegie Mellon University. She was recently a Core Apprentice Fellow at the Playwright’s Center and a writer in residence at the MacDowell residency.

SETTING
A living room with a window that looks out into the lawn

CREATIVE TEAM

Lance Felton – Director
Lance Markeith Felton is a multifaceted artist with a deep-rooted passion for pushing creative boundaries. He studied acting in Florida State University’s BFA program, while minoring in Human Rights. With over a decade dedicated to his artistry, Markeith now seeks to bridge the gap between Hip-Hop and the mainstream arts world.

CAST

Genesis Wiley – Sonder
Genesis Wiley has always been passionate about the arts. She has an Associate’s degree in theater from HCC. Genesis has been in many productions including Carrollwood player’s A Christmas Carol as Lady 2, New Tampa Players’ Dream Girls as Stepsisters/ensemble, and Hillsborough Community College productions including Auto-Da-Fé as Mme.Duvenet, Zombie Beach the musical as ensemble.

Marlesia Barthelemy – Marva
Marlesia Barthelemy is a multi-faceted entertainer of Tampa, Florida. Marlesia wears many hats such as actress, singer and songwriter, author, but her favorite hats to wear are wife and mother. She finds great joy in traveling, reading, cooking, going to the beach and being adventurous. Marlesia lives a purpose driven life that she publicly displays via social media (itsjust_Marlesia) in order to encourage, motivate and inspire others to DREAM BIG & LIVE BIGGER!

Jahari Jones- Essense of Daniel
Hello , I am Jahari , I am a born and raised Floridian, also a 25-year-old NAVY vet who is trying his hand in the acting and theater world ,an artist at heart so im getting my name out there with this amazing piece of art. There is obviously more to put here put the rest of the story is being written, keep up with the journey and look forward to seeing more of me.

DIRECTOR’S NOTES
I am honored to work on “Little Black Kids Don’t Go Outside” because it’s messaging is universal. Everyone can relate to the childhood angst of going outside and everyone can relate to the fear of losing a loved one. It’s important (especially now) for stories to be told from multiple perspectives, so that we see the differences between us are fewer than what brings us together.

Saturday, March 29 – 7:30 PM

Live In-Theatre

Whitney Jarrett

MARYLAND

Trouble on Georgia Ave

Two women prepare to arm themselves against gentrifying invaders.

Playwright
Whitney Jarrett is a first-gen, African American writer born in Maryland and raised by immigrant parents. She began her writing journey as a child, keeping meticulous journals and writing short stories in the margins of her class notebooks. She then went on to attend the University of Maryland, where she became a member of Kreativity Diversity Troupe. There, she fostered her love of writing and performing, specializing in stand-up comedy. Upon graduation, she began her blogging journey and now runs “WhatWhitney’sWatching” on substack, where she pens film reviews and personal essays.

SETTING
Georgia Ave and Lamont Street, Now

CREATIVE TEAM

Ivy Sunflower – Director
Ivy Sunflower is an award-winning actress, director, teaching artist, and model dedicated to uplifting diverse voices through authentic storytelling. Her creative journey spans stage, film, improv, and education, with notable directing credits such as Too Woke To Book by Krystle Dellihue (Voices of Women Festival 2024) and Money Matters (Outcast Theatre Collective, Tampa Bay Theatre Festival), among others.

Ivy is currently directing the feature film Runnin 4 Mayor (Womatic Entertainment) and the Fight 4 Peace Mental Health Awareness Docuseries (Gotcha Productions). She also serves as a founding Executive Producer and Director for Diverse Visions, a production company committed to creating impactful projects for underrepresented voices.

Directing Trouble on Georgia Ave for the Voices of Women Festival has been an honor. This piece reflects the festival’s powerful mission, and Ivy is proud to contribute her vision to a story that celebrates strength, resilience, community, and connection.

CAST

Danielle T. Anderson – Tay/Amy Arlington
Danielle T. hailing in from Queens, NYC by way of St.Pete Fl. She has been a thespian for over 15 years now and as an actor/model she uses her crafts and passion within the performing arts to not only help bring stories to life but also messages to light.

Toneice Evans – Natalie/Miss Johnson
Toneice Evans is a dynamic filmmaker whose talents span acting, producing, directing, and writing. A graduate of Trinity Washington University, where she earned both her B.S. and M.B.A., Evans began writing to create opportunities for herself and to elevate women of color in leading roles across all genres.

In 2020, she brought her creative vision to life with My Dating Life Sucks, a web series she created, starred in, directed, and produced. Building on her passion for storytelling, she went on to develop The Dark Ward, a suspense anthology that showcases her ability to craft compelling narratives.

Dedicated to authentic representation and innovative storytelling, Evans continues to push boundaries in film and television, creating diverse and engaging content that resonates with audiences.

DIRECTOR’S NOTES
This play explores humor and heart to reveal the impact of gentrification on communities. As you watch, notice the tension between Tay’s determination and Natalie’s disbelief, and the subtle power struggle in Miss Johnson’s scene with Amy. Let these moments challenge you to consider the cost of “progress” and its ripple effects on everyday lives and those in these communities.

Sunday, March 30 – 4:00 PM

Live In-Theatre

Lori Felipe-Barkin

NEW YORK

Ama. Egg. Oyá.

GENERAL CATEGORY

A papaya falls from in between Ama’s legs and breaks into pieces…shit. She’s miscarrying again. Ama. Egg Oyá. is about Ama, a woman from Hialeah, Florida hellbent on having a child. No wonder she feels an affinity to Oyá, a barren African Orisha. Blending Santería fables, modern-day Miami, and Cuban beats, this play examines infertility, motherhood, and maternal ambivalence.

Playwright
Lori Felipe-Barkin is an English-Spanish playwright, performer and voice over artist based out of Miami and NYC. Most recently, her short play, The Peepholeman, premiered at BAM as part of the 2024 Weasel Festival. Her three-act play, Flor Underwater, was selected for the 2020 Play Penn New Play Conference, received an Honorable Mention for the 2021 Terrence McNally Award, and was a finalist for the 2023 Risk Theatre Award, the 2023 Austin Film Festival Playwriting Competition, and the 2024 Royer Award. She has had play readings at Playwrights Horizons for Out There in the West, and at INTAR Theatre and at Iati Theater for Ama. Egg. Oyá. She holds an MFA in playwriting from Brooklyn College.

SETTING
Hialeah, Florida

CREATIVE TEAM

Dora Arreola – Director
Dora Arreola has more than 30 years of professional experience as a theater director, choreographer, and performer. She is a Professor of Theatre at the University of South Florida and faculty of the National Institute of Directing and Ensemble Creation. She holds an MFA in Directing from the University of Massachusetts. She is co-author of the book Mujeres en Ritual: Género y Transformación /Gender & Transformation. Arreola was recipient of the Lifetime Achievement Award (El Galardón Sinaloenses Ejemplares en el Mundo) and the Thespian Prize of Honor for Artistic Excellence in Baja California. Arreola is the founder and artistic director of Mujeres en Ritual Danza-Teatro company. She directed more than 40 productions, often featured in diverse international festivals. Arreola has received grants and commissions from the National Performance Network, several Faculty Research Grants from the College of Design, Art and Performance, among others.

Amogha Kuppaa – Stage Manager
Amogha V Kuppaa is USF senior earning dual degrees in Business Management and Theatre Arts, who is thrilled to be the Stage Manager of “Ama. Egg. Oyá.”. Other recent productions that Amogha has had the pleasure of working at USF include The Resistible Rise of Arturo Ui (Fall 2024), Fugitive Songs (Fall 2024), In the Blood (Spring 2024), and Life is a Dream (Fall 2023) all at USF. As she is graduating this semester, Amogha looks forward to applying both her degrees in the field of Arts Administration in the coming future.

 

Jessica Moraton – Ama
Jessica Moraton is a honored to be able to work with Powerstories! She is an actress, singer, dancer and choreographer. Most recently, she was the choreographer for Hairspray (Center Stage Community Theatre). She has been seen in productions throughout Tampa Bay, including Shear Madness (Straz Center) and Our Town (Stageworks).
Lillian Almodovar – Yanislet / Mary
Lillian is excited to be performing the role of Yanislet/Mary in Ama. Egg. Oyá. She is honored to be able to support woman writers and artists. She was most recently seen as Abuela/Bette in the Magnificent Here and Now, Carmen in Real women have curves and Zoila and Isabelle in the Stageworks production of The Lady from Havana. Lillian is grateful for this opportunity and thankful for the support and encouragement from her friends, family and husband, Michael.

Ivy Sunflower – Oli / Doctor
Ivy Sunflower is an award-winning actress, director, and teaching artist with a passion for storytelling that amplifies diverse voices and explores meaningful themes. Ivy’s extensive theater experience includes acclaimed productions such as “White Rabbit Red Rabbit”(American Stage), “Single Black Female in the Navy” written by K.E Mullins, and “JANE: Abortion and the Underground” (Powerstories Theatre). Through roles that balance humor, vulnerability, and emotional complexity, Ivy continues to bring her unique voice and talent to the stage, celebrating stories that connect and inspire. Ms. Sunflower is thrilled to perform as Oli in “Ama Egg Oyá” for the Voices of Women Festival, a powerful play that delves into femininity, motherhood, fertility, culture, and family.

Cornelio “Coky” Aguilera – Babalao / Go / Baby / Hunter
Having studied as an Acting Specialist at UW Madison, Coky moved to the Tampa area and has been working professionally with the following companies since 2012: Stageworks Theatre, A Simple Theatre, The Tampa Repertory Theatre, St. Petersburg Opera Company, RQL Productions, Your Real Stories Theatre, Jobsite Theater, The ThruLine Company, and Art 2 Action. Coky also organizes the “Dreamer’s Teatro Crew,” a bilingual, theatrical group out of Dade City, in collaboration with the Farmworkers Self-Help Organization. It is his honor to be working with the Outcast Theatre Collective since its inception. https://cornelioaguilera.wixsite.com/coky

 

DIRECTOR’S NOTES
Ama.Egg.Oyá is one of the most interesting bilingual (English and Spanish) plays I’ve read recently. It’s an honor to have worked with these talented artists: actors, dramaturgs, and the playwright. The creative process was a very enjoyable experience to me, leaving me with the desire to continue working in this unique play. Enjoy the show!

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